Anthony “Spice” Adams played nine seasons in the NFL. He spent his first four seasons in San Francisco on the 49ers defensive line, and finished the remaining five seasons of his career in Chicago with the Bears.
Playing an interior defensive line position does not bring the fame and notoriety that even a defensive end would garner, much less a skill position player on offense.
Yet Spice is one of the most recognizable “sports celebrities” on the internet.
Surely you’ve heard of Spice, or should I say Cream E Biggums, one of his many alter egos.
I wasn’t sure who I was going to meet on an overcast Tuesday afternoon earlier this month.
The setting was a sprawling 3,400 square foot studio space in downtown Manhattan. There were couches and a coffee table set aside to one corner with a flat screen TV, resembling a typical modern living room. It was all next to a makeshift basketball court.
At the far end of the immaculately lit space with exposed brick was an automatic garage door.
Then it happened.
The jarring sound of the garage door creaking open filled the cavernous space, as the undeniable pop synth beats to the classic jam “Candy,” by funk group Cameo, blared through the inconspicuous sound system.
On the other end of the garage door stood the six foot, 280 plus pounds, short shorts wearing, rec spec rocking, knee sock having, recreation basketball player Biggums.
It was quite an entrance for Biggums, he showed off his ball handling and deft agility around the court, before coming over to greet me and talk about his aspirations to make the NBA.
Adams, I mean Biggums, isn’t serious about making the NBA or is he?
Like those who truly understand sports. He sees his internet videos and content creation the same way he saw playing football.
“I realized that football was a form of entertainment so I had that from [age] 18-32,” said Adams. “Then I started doing social media videos and everybody started to like it. I thought, this was it!”
With a nickname like “Spice” it’s easy to assume the charming and charismatic athlete would be like a fish to water on social media.
It wasn’t an obvious route for him at first.
Despite "always wanting to entertain," he was wary of the various public platforms initially.
“A lot of my teammates [at the time] were on social media, heavy. I never was on it. I thought it was stupid. I’m not going to put my thoughts on a tweet and have people judge me on what I’m thinking at the time. This is dumb. But they told me, ‘man you’re built for social media.’ I didn’t see it,” Adams continued.
“But I got on there and it was fun, I started really liking it and I created that video [Stuff Free Agents Say] and then I reached out to my teammates, Chris Harris, Earl Bennett and those guys and they were like ‘what we see in the locker room every day nobody gets to see it. Put it out.’ So I put it out, and the response was crazy.”
This was towards the end of Adams’ career. He was released by the Chicago Bears in 2012 and knew retirement was imminent.
As the story goes, it was March of 2013 and he was driving with his wife and they passed by a White Castle restaurant. The light bulb immediately went off, and Adams knew how he would announce his retirement.
A press conference in an empty fast food restaurant. The video was a hit and went viral within minutes as Adams recalls.
“I did the retirement video and everybody picked it up. As soon as I pressed enter on the keyboard, the ESPN assignment desk called and asked if they could use it. I said yes, and by the time I made it from my home office to the living room,” said Adams. “Trey Wingo was talking about it. I was like ‘WHAT?!’ I just said they could use it and within 30 minutes, they’re talking about it. Then I check my email on Yahoo and it was on their front page. I went viral.”
Adams is a man in his element when he’s making others laugh. His personality is as large as he is and its infectious.
The viral moments, alter egos, and faux magazine photo shoots have made him an internet celebrity.
Between his various social media accounts he has over 3 million followers. For a man that played defensive tackle that’s beyond impressive.
His ability to understand what makes people laugh and the authenticity of his content is what drew in companies like Samsung.
Adams works with the company’s Galaxy Tab S6 to create content for Biggums, including his new NBA workout video he asked me to share with NBA commissioner Adam Silver.
Adams says anytime you can make a dollar after the league, it’s a win. He will continue creating content and capitalize on any opportunities that come his way, as long as he can entertain.
Adams has appeared on The Rock’s HBO series, Ballers as well as Comedy Central’s Detroiters. He’s done commercials, and even a stand-up comedy routine at the Laugh Factory in Chicago,
For many athletes, that post career transition can be tough, but Adams is succeeding by being himself.
“This is my business. I feel like I’m in my wheelhouse. I talk to a lot of guys all the time about making that transition. I’ve been fortunate enough to have football as my background so I can reach out to a Michael Strahan and he can give me nuggets. What we do is, we don’t have any lanes. We create our own lanes. Listening to him and other guys who came before me, just giving me gems here and there, I think I’m able to take whatever they teach me and apply it to what I have going on. It’s been fun. I’m being me. I’m not around here being fake and being someone that I’m not, Adams concluded.”
Before we wrapped, Biggums wanted me to get the real feel of what he can do on the court, so we engaged in a live drill.
Biggums displayed his top level conditioning, working off multiple picks and I hit him with a pass right in his shooting pocket.
That request from Cream to send his video to Adam Silver is still pending.
Eagles Safety Malcolm Jenkins On His #HEARPHILLYSPEAK Town Hall And If He's Open To Working With Colin KaepernickRead Now
The Players Coalition held a town hall to advocate for civilian oversight and changed Philadelphia police and community relations.
A tree that bears fruit has literal and symbolic meanings.
The physical fruit can be a source of nourishment for living creatures. The idea or concept of “bearing fruit” has religious and/or symbolic meaning like “fruit of the womb” or “fruit of one’s mouth.”
“Bearing fruit” has also come to mean yielding results, products, outcomes, accomplishments and achievements.
Suffice to say, any arborist would tell you, if your tree continues to bear “bad fruit,” you need to look into what’s going on with said tree.
That’s where we find Philadelphia Eagles’ safety Malcolm Jenkins. He’s not an arborist by training. But he is seeking to understand and dismantle a tree (read: system) that bears the most awful and disgusting fruit impacting the city of Philadelphia and many cities across the country.
On Monday evening (October 28) Jenkins, through the Players Coalition, which he co-founded with former NFL player Anquan Boldin, held a town hall in Philadelphia to address over-policing.
Philadelphia is one of the poorest big cities in America, and there has been decades of mistrust between local citizens and the Philadelphia Police Department.
Earlier this year, then police commissioner Richard Ross abruptly resigned amid reports of sexual harassment and racial and gender discrimination within the department.
Jenkins and the Players Coalition, whose collective goal is making an impact on social justice and racial equality at the federal, state and local levels through advocacy, awareness, education and allocation of resources, saw the Ross resignation as an opportunity for real change.
“Policing is a big deal right now, not only around the country but right here in Philadelphia,” Jenkins told BET.
“A lot of what we do around the Coalition, we talk about issues around criminal justice, education, things like that. One of the main things is police and community relations. There is no way to build a relationship between anybody, let alone police and the community, without accountability.”
We all know the statistics, and we are subject to the horror stories on a seemingly daily basis.
Black people are 2.5 times more likely to be killed by police than white people, according to Rutgers University’s School of Criminal Justice. Approximately 1 in 1,000 Black boys and men will be killed by police in their lifetime. For white boys and men, the rate is 39 out of 100,000.
The website Mapping Police Violence states police killed 1,147 people in 2017. Black people were 25% of those killed despite being only 13% of the population.
Staggering. Yet unbelievably believable.
As ugly and disgusting as the sanctioned killing of unarmed Black citizens is, Jenkins says to fix the problem, we need to stop looking at it on an interpersonal level.
“The day-to-day won’t change unless we change it at the top...the only way to do that is to ask ‘who holds police accountable?’ Those people are the district attorney, the police commissioner, and the mayor...if we look at an officer who violated a citizen, harassed them or did whatever and we get that officer fired, then what? That officer is the symptom of a greater problem. So yeah we can get that officer fired, but he comes from a culture where that is acceptable and there are other officers being trained just like him. He will just be replaced by another one, likely to do the same thing.”
An ambitious goal, no doubt. But you get a sense that Jenkins doesn’t want to see cosmetic fixes. Toppling a system is painstaking work, but he seems willing to take on as much as he can.
The Players Coalition is invested in root causes and making policy changes at the government level.
That was the goal of Monday’s town hall. Concerned citizens from Philadelphia gathered together with an opportunity to let the Mayor Jim Kenney know what type of standards they would be holding the new police commissioner to. Quite frankly, what they expect from the Mayor’s office as well.
Kenney wasn’t on hand, but someone from his office was present during Monday’s town hall. The hope is that what was discussed will reach his desk and be given the appropriate time and attention.
If the concerns of the citizens are not met, Jenkins believes they have the power to find someone who will commit to the needs of the people.
“This [appointment of a new police commissioner] affects a lot of people in Philadelphia, and we need to encourage people. That is the ultimate way to participate. You can make your voice be heard. You can post, you can tweet. You can do all those things. But unless you vote...that’s what moves politicians.
"That’s what moves policy, is people coming out to vote and making their voice really count. For us, that’s the call to action. It’s not just the event, but then the follow up to make sure we are going out and letting our voices be heard so that those candidates represent the issues that matter the most to us...there are some people up for election and this is the time where you put pressure on them. If they want your vote, then they need to be doing the things we’ve asked them to do.”
Such is the plight, not just in Philadelphia but all across the United States, where problems of excessive force and over-policing exist.
Too many communities are grossly underfunded, leading to poor schools, poor housing options and increased crime. It’s all connected. Attempting to solve the crime problem without addressing the root cause is like putting lipstick on a pig. Or in this case, throwing gasoline on a consistently burning fire.
“Adding more police and over policing those areas we’ve seen over time does not work,” said Jenkins. “So there needs to be another strategy that involves reallocating resources to these communities, and adding support to these communities. It is my belief that people are not innately violent. Violence and crime are usually tied to poverty. With Philadelphia being one of the poorest, largest cities. That is something we need to address.”
Many sociologists, politicians and activists agree that the way to solve crime is not by funding the police departments that create mini military units that come in and stomp all over these communities, but rather address why these specific areas receive substandard funding. Because all the over-policing does is fund the prison industrial complex and deny chances for individuals to get out of poverty.
During Monday’s town hall, Keir Bradford-Grey, chief defender of the Defender Association of Philadelphia, said the following:
“We hand out criminal convictions like candy, and need to address how policing relates to the rest of the system. Root causes of how Black and Brown folks enter the system. Over policing is a big burden on our city. We need to solve these issues, and not brand families with permanent convictions.”
Will it ever get better?
You have to live in hope, right? If not, what else is there?
Jenkins and players like him across the NFL want to do their part, but dismantling centuries-old systems will take a lot more people committed to the cause.
“Support and action are two different things,” Jenkins said. “I get a lot of people that praise me or acknowledge the things that I do. They say that I’m doing good work and they’ll say, ‘Keep it up!’ But that doesn’t equate into them getting involved.”
Earlier in our conversation Jenkins told me, “Collectively, we all need to make this our issue.” I don’t doubt for a second his sincerity and earnestness in wanting to work with as many like-minded people as possible to bring about real change.
Given his stance, I had to ask him about Colin Kaepernick. At one time Kap and Carolina Panthers safety Eric Reid were on board with working with Jenkins and the Players Coalition. Accounts differ as to why they split, some say it was over money, some say ego. Nobody but the men involved actually know. But as time has passed, it seems Jenkins has come to some realization.
“We’re all aiming for the same thing. That’s justice and a country that’s equitable for everybody. We want to remove these things that for centuries have marginalized Black and Brown communities, so yes, we have the same goal. The approach may be different. But for me, I’ve always kept my doors open for anybody who wants to make change. We may not agree on how we get there, or what the tools are that we use. But if we’re headed in the same direction? I’m always open for it.”
Crushers Club Member Kobe Richardson Says 'He Has Nothing But Love’ For White Woman Criticized Over Cutting His LocsRead Now
Richardson says Sally Hazelgrove, founder of the Crushers Club, has helped so many kids and her intentions are pure.
“That’s family...she was there when nobody wasn’t,” said Crushers Club member and mentor Kobe Richardson to BET on Monday (September 9).
“She” is Sally Hazelgrove, the youth organization’s founder and president (a White woman), who has recently come under fire for what some deem to be culturally insensitive tweets regarding Black people, hair and respectability politics.
Hazelgrove’s Crushers Club is set to receive a $200,000 donation from Inspire Change - the NFL/Roc Nation partnership - and it was that donation from an alliance, widely seen as dubious, that led to the unearthing of the club’s social media history.
The tweets were posted three years ago and show Hazelgrove cutting off Richardson’s locs with the caption, “And another Crusher let me cut his dreads off! It's symbolic of change and their desire for a better life!”
Once unearthed, the tweets sparked outrage among many Black people on Twitter. Including filmmaker Ava DuVernay, who started a Twitter campaign promoting the “beauty and majesty of life with locs” #loclife.
The image was triggering for many, calling to mind the more recent cases of Black people’s hair being “policed” in the workplace and in athletic competitions. It brought up all the daily microaggressions felt by so many on a seemingly daily basis.
But that wasn’t Richardson’s reality.
“No. [I didn’t believe cutting my dreads would give me a better life.] That was something I wanted to do. I didn’t look at dreads as a [cultural] statement. It was a popular hairstyle back then in the rap industry, and I just wanted to wear it like everybody else. I was tired of the dreads and wanted a different look. I came to her and asked her to cut them for me because I didn't have any money to go to the barber. The whole reason there was a picture is because I asked if I could get a picture of me one last time with the dreads, so I can have a memory.”
Still, Richardson understands how people could look at the picture and have an issue.
“I do. The way the picture looks to some people on the outside looking in, it’s iffy. And the wording...she could’ve chose her words more carefully. But I wouldn’t take it back. I’d do it all over again and let her cut it again.”
The image of Hazelgrove cutting Richardson’s hair also gives credence to the “White savior” character trope. The idea of a white person who acts to help non-white people, with the help often being perceived as self-serving. This is common in film and television and within popular culture. It is a particular sticking point among many Black people, because it depicts us as less than fully capable or self sufficient.
However Richardson’s life, and the lives of many of the Crushers Club’s members, are not plots from movies or television series. There are real stakes, and he doesn’t have the time or inclination to be concerned with who perceives how he’s getting help.
Richardson is a former gang member and self described as a very “hard headed” child and someone who didn’t want to listen.
He grew up raised by a single mom and joined a gang at a young age looking for acceptance and a sense of belonging.
He was shot 14 times and nearly lost his life before realizing things had to change. One of the first people by his side in the hospital when he awoke from his coma was Hazelgrove.
Elizabeth Talbert, the mother of a Crushers Club member named Elijah, sees the criticism as narrow minded. She told BET:
“What they’re looking at is, it’s a White woman. A White woman doing right by mostly Black kids. But they’re not looking at the whole picture. There are people in the neighborhood who have been there for 30 years, and never took the time out to help. But she’s been there.”
Critics would point to systematic issues of racism and economics that make it nearly impossible for poor communities to change from the inside out with no assistance, and that argument would certainly have merit. It is these issues, largely created by White people and supremacy, that in turn manifest the need for a “White savior.”
While working towards larger change and toppling white supremacy and ending systems of oppression are always the goal, people like Richardson have immediate concerns. There needs to be a way in which we address both, simultaneously.
The partnership between Inspire Change and the Crushers Club will move on as planned and there will be more eyes on them and Hazelgrove, and Richardson knows people will be watching.
“Sally has built a bond with us. She wants to create more opportunities for us. People in Englewood come around and partner with her to offer jobs to members of the club. Her intentions are pure and she loves us.”
It’s hard to argue with Richardson. He’s faced real trauma and tragedy, and his life has been greatly impacted by Hazelgrove for the better. Some might say this makes him an “unreliable” narrator. Still, it makes him human.
Nothing is real unless it happens to you. It’s easy to critique and pass judgment from miles away.
For Richardson, his trauma and his day-to-day is the realest of the real. He has a unique way of cutting through the infinite color noise in the rainbow and making things simple.
“It doesn’t matter who. If I’m homeless and need help, I have no choice, I’m in need.”
Shaft Director Tim Story talks to Jarod Hector About Making This Installment of The Iconic Franchise And The Message of Family He Hopes is Apparent in The MovieRead Now
Richard Roundtree Tells Jarod Hector The Latest Shaft Movie is ‘The Best’, Plus The Franchise’s Future, Working With Samuel L. Jackson, And The Large Pool of Talented Black Actors in HollywoodRead Now
The fifth installment of the Shaft movie franchise premieres today, Friday June 14th. We’ve come a long way from the blaxploitation film in 1971 directed by Gordon Parks starring, then 29-year-old, Richard Roundtree as John Shaft.
Roundtree reprises his role as John Shaft Sr. father to John Shaft II, played by Samuel L. Jackson (also reprising his role from the 2000 film), and we have a new character, the youngest member of the Shaft family John “JJ” Shaft Jr. played by Jessie Usher.
Roundtree, the sage veteran actor that still embodies all the cool of Shaft sat down with Black Sports Online prior to the premiere to talk about the franchise, why he believes this is the best one yet, as well as how far Black actors have come in Hollywood, and how much further they still have to go.
This is the second installment…
No. This is the fifth Shaft movie, let’s not get it twisted.
Yes. This is your fifth movie. The second of the new era is what I mean. How does it feel for you to have this franchise still going on after all these years?
To be truthful with you. This is so elevated, past what has been seen before. This is the best [film] since the first one. Without diluting my hero, Gordon Parks, who brought such class to the first two films. This is such a joy for me, to see three generations of this character. Passing the baton on to my [character’s] son and ultimately to my [character’s] grandson. To see the transition that my grandson goes through, that nerd that he exemplifies initially. To see the turn, and him owning his name...is perfect.
Talking about the generations of characters. How important is it to see that on screen for Black people and Black culture?
When you have this paint job (touches the skin on the back of his hand), to see the joy of the parent. The parental passing of the torch and to see Jessie’s transition...I mean Sam (Jackson), he’s already there. Sam is Sam. But to see Jessie as my grandson, who I’m so happy to see, because he’s been estranged from us, as you know. It is powerful to see that all come together.
Tim Story (director) and Sam have done an incredible job. I’m so proud of this film. It bodes well for yet another installment.
That’s what’s so interesting. You as the sage veteran, Sam is Sam as we said. Regina Hall who plays Maya, JJ’s mother. That all could be daunting for someone like Jessie walking on set. I mean, acting is kind of like a competition in some ways right?
Yeah, yeah. But this young gentleman has handled it very well. He knew what was supposed to happen. The beats. I think he’s done an incredible job. I’m proud and happy to see that he’s embraced that and made it work. When you have to work with Sam day to day, boy you better be ready. I marvel at the fact of Sam’s peripheral vision. He knows what everybody on the set is supposed to be doing, and if you’re not bringing it, he’ll call you on your shit.
I’ll make a sports analogy. Sam is like Houston Rockets point guard Chris Paul in many ways. He knows where everyone on the court is supposed to be. If you are on his team and you are not in the right place, he will get on you and chew your ass out about it. That’s Sam, right?
So, what is the process like as an actor to prepare to come to the set, so that you are in the right place at the right time? Whether you use method or not, at some point, you have to put Richard Roundtree to the side and become John Shaft, right. How does that work?
That comes with time. Time put in. I marvel at Sam’s peripheral vision. My school is not as broad. I want to come to the set, ready to work, know my lines, and hit my spot because I’m dependent on everybody else on set knowing their job. I don’t know what their total responsibilities are, and I’m assuming. Sam comes to set and he’s...you know ‘ay, you ain’t doing this right.’ I’m very impatient, but Sam doesn’t want to do more than three takes on any given scene and it bores me to tears to do anything more than three or four times because someone is not on their J-O-B. Now, I won’t call you out, but Sam…’hey motherfucker, that’s not the line!’ That’s the difference.
How great is it to be back in Harlem now as we do this interview, and how important was it to film the movie in Harlem? This city is as much a character in the film as any of you. We’re on 125th and Lenox at the Red Rooster!
Come on! I do not come back to New York City without coming to this restaurant. I should scale that back a little. I am a huge fan of Ethiopian food, number one [Ethiopian chef and restaurateur Marcus Samuelsson owns the Red Rooster]. Having worked in Ethiopia, having met Haile Slaessie. Having seen Haile Salessie on Lenox Avenue when I was a preteen. Having an audience with him in Ethiopia and him telling me I would have a long career. How prophetic is that? Come on! [Haile Salessie was Ethiopian Regent from 1916-1930 and Emperor from 1930-1974].
And, Gordon Parks having the genesis of the Shaft movie emanate from Harlem and these streets? This is magic.
You are at the stage of your career where you can pick and choose the types of roles and projects you want to do. But you had to toil and pave the way for many of the young Black actors behind you. Is there a feeling of gratification when you see other Black actors shine?
As long as we have this paint job it’s going to be difficult. What is beautiful at this point in time is the participation of this paint job, with the incredibly talented people that are coming along. You look at someone like Viola Davis. These are talents that can stand alone, who are beasts, that can make demands and be heard and listened to. They can put out incredible projects with no apologies. It’s not just standing in a corner or being an afterthought. They drive the narrative. It’s wonderful to see. We have people today, like Sam, who when they put their name on a project and it will sell. Back in the day it was only one or two “oh yeah, what’s his name?” Today, the Sam’s, Denzel’s [Washington] and Viola Davis’...
What’s next for Richard Roundtree?
Well, we could see another Shaft movie, now that we have Jessie as the next generation. Hopefully he’ll have his grandad around. I’m happy to still be gainfully employed. We talking about the third quarter, but…
You still love it!
Richard, thank you for the time.
Grizzlies Rookie Jaren Jackson Jr Talks to Jarod Hector About Life in The NBA, His Favorite Rappers And Why Jay-Z Still Matters to The Kids (Video)Read Now
At 6’11, 240 pounds (give or take), Jaren Jackson Jr. is an athletic marvel. The Memphis Grizzlies rookie big man was the #4 pick in last June’s draft and has already paid dividends for the surprising 13-8 Grizzlies. Jackson is averaging 13.8 ppg, 4.6 rpg, and 2 bpg on 52% shooting from the field, and 36% from three. His per 36 numbers are 19.2 ppg, 6.5 rpg, and 2.8 bpg. In short, dude is a monster and he’s only 19 years old. So, it’s safe to assume he’ll likely get better and he could wind up being the best big man from that loaded 2018 draft class.
On Friday, Jackson and the Grizzlies were in Brooklyn to take on the Nets, and he finished with 36 points and 8 rebounds. Including a 4 point play to pull his squad to within three with 26 seconds left in the fourth quarter, and the game-tying three to force overtime. The Grizzlies left Brooklyn with a win in double overtime and Jackson notched a career high in points. Following the game, I asked Nets guard D’Angelo Russell if he was surprised by Jackson’s play. Russell told BSO, “No. That dude is special…”
Prior to the game, BSO spoke to the rookie and we discussed a variety of topics. He is a very confident young man and looks like he wants to be great. He discussed the importance of being drafted by a team with a winning culture and how he’s always played for winning teams.
Jackson is the prototypical big man for the “new NBA” and he talks about his affinity for shooting from beyond the arc and the importance of spacing on the floor.
We wrap our conversation discussing hip-hop and the latest Meek Mill album Championships. Jackson talks about whether or not Jay-Z and Rick Ross killed their verses on “What’s Free” and why Jay-Z still resonates with young guys like himself. Jackson also gives us some insight into what he’s currently listening to and a rapper everyone should check out.
Derek Brunson & Sijara Eubanks Talk to Jarod Hector About Their Upcoming Fights at #UFC230 And When They Expect Title Shots (Video)Read Now
UFC 230 happens this Saturday at Madison Square Garden in New York City. Black Sports Online will be cage side with all the updates, action, and interviews. Ahead of Saturday’s event, the fighters were on hand for media day at the Mariott Marquis in midtown.
Sijara Eubanks, the #4 ranked flyweight fighter in UFC will take on Roxanne Modafferi on Saturday. Eubanks is the higher ranked fighter, as Modafferi is ranked #7. But Modafferi has a lot more experience in the cage and more fights under her belt. Eubanks is unfazed and told BSO, “I’ve fought many high-level jujitsu matches, so I have a lot of experience as well.”
Eubanks talks her fight on Saturday and when she can expect a title shot.
Derek Brunson the #6 ranked middleweight in UFC takes on undefeated Israel Adesanya, ranked #9. Brunson spoke to BSO and was unfazed by Adesanya’s undefeated record, saying: “who did he fight?” Adesanya has been doing a lot of talking prefight, Brunson said he prefers to do his talking in the ring.
Georgetown Hoyas big man Jessie Govan talks about coming back to school to play for head coach and Hoyas legend, Patrick Ewing.
The Starz prestige drama Power has been entertaining fans for five seasons and continues to shock and amaze. I sat down with Heather Zuhlke, the co-executive producer during season 5 and we discussed all the things that makes this show so great!
Lolo Jones on Why People Should Appreciate Natural Muscular Bodies as Much as Kim Kardashian Created Bodies (Video)Read Now
ESPN the Magazine celebrated the 10 year anniversary of its famed BODY issue on Thursday at the Hearst building in NYC. On hand were BODY 10 issue athletes, Saquon Barkley, Greg Norman, Adam Rippon and Lolo Jones who posed in the inaugural BODY issue.
Editor in Chief Alison Overholt engaged the athletes in a lively discussion about their experiences posing for the magazine. A common misconception by most people is that elite athletes would love to show off their bodies and be completely comfortable posing nude. At one point Overholt asked the athletes if there was any trepidation about posing. There were varying answers, with Barkley and Norman being the most confident; Norman even saying he practices in the nude so he wasn’t too concerned. But the one thing all the athletes could agree on was that the shoot is very vulnerable and the ESPN photo crew made them all feel very safe.
As the only woman on the panel, Jones spoke up about the standards of beauty women are often pressured to buy in and live up to. She said she is not always comfortable and wishes she could change things about her body. During one particular moment, she talked about curves being an accepted standard of beauty for women and that she doesn’t have any. She referenced someone on Instagram commenting on a workout picture she posted, the commenter said she should do more deep squats to get a bigger butt. The assembled crowd gasped. Jones said,
“I do a lot of deep squats. I can deep squat 400 pounds, more than your average man. I just don’t have a butt. That’s how my body is.”
Jones’ fellow panelists and the audience really connected with her honesty and willingness to share something personal that may make her insecure.
Prior to the panel, I had the chance to speak to Jones and she talked about these same topics and the importance of ESPN doing the BODY issue and how it is helping to change the standards of beauty, particularly for women.